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Persons / Rastrelli Francesco de
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Rastrelli F.B., (1700-1771), architect

RASTRELLI, Francesco de (Varfolomey Varfolomeevich) (1700-1771), architect, designer (decorative artist) and graphic artist, one of the most prominent architects of the Baroque epoch. The son of B.Rastrelli. In 1716-25, he worked in St

1748

The architect B.-F. Rastrelli became the Head of the building work at Tsarskoye
Source: Tsarskoe Selo

1750

27 August. Mikhail Vasilyevich Lomonosov visited Tsarskoye Selo according to the invitation of Empress Elizabeth Petrovna. He reflected his impressions in a great poetical work where famous poet lines have sounded: "If only with a beautiful
Source: Tsarskoe Selo

1752

10 May. The Decree of Elizabeth Petrovna about rebuilding the Tsarskoye Selo ensemble and the reconstruction of the palace by the architect F.-B. Rastrelli was published
Source: Tsarskoe Selo

1956 - 1762

The Grand Greenhouse and Lower Stables buildings in Sadovaya Street according to designs of S.I. Chevakinsky and F.-B. Rastrelli were
Source: Tsarskoe Selo

Amber Room

AMBER ROOM, a unique interior of the Great Catherine Palace, and 18th century arts and crafts monument. The walls of the Amber Room are decorated with the amber panels (the only example of amber used in Russian architecture)

Anichkov Palace

ANICHKOV PALACE (39 Nevsky Prospect), monument of Baroque architecture. Built in 1741-54 (architect M.G. Zemtsov, G.D. Dmitriev, F. Rastrelli) near Anichkov Bridge (hence the name)

Architects of Our City, publication series

ARCHITECTS OF OUR CITY, the series of publications about outstanding architects of St. Petersburg - Leningrad published by the Leningrad Publishing House from 1971. The series contains books about the life and work of S. I. Chevakinsky, M. G

Architectural Styles (entry)

ARCHITECTURAL STYLES, recognizable systems of architectural compositional techniques, forms and decor, whose differences are caused by social and cultural environment, aesthetic preferences and the type of architectural culture of a particular epoch

Baroque

BAROQUE, an artistic style. Its forms are closely related to the art of late antiquity and Renaissance (it applies to order elements, elaborately combined with such ornamental motifs as draped atlantes' torsos or leaves of acanthus)

Baths (entry)

BATHS. The first baths in St. Petersburg were built near rivers and other reservoirs, separate from residential houses. About 30 so-called commercial baths were constructed by 1720. Construction was paid for by the Treasury

Bolshoy Gostiny Dvor

BOLSHOY GOSTINY DVOR (35 Nevsky Prospect), the largest commercial enterprise of St. Petersburg. The first plan for a Gostiny Dvor (effectively, a large scale trading market) on Nevsky Prospect was developed in the late 1750s by the architect A

Cathedral of the Renewal of the Jerusalem Holy Resurrection Temple

CATHEDRAL OF THE RENEWAL OF THE JERUSALEM HOLY RESURRECTION TEMPLE, Smolny Сathedral, the Cathedral For All Educational Establishments, located at 1 Rastrelli Square. Monument of Baroque architecture

Catherine Palace (Town of Pushkin)

CATHERINE PALACE (Town of Pushkin), an architectural monument of the Baroque period, compositional centre and dominating architecture of the park and palace ensemble of Tsarskoe Selo

Catherine Park (Pushkin town), ensemble

CATHERINE PARK (Pushkin town), a monument of landscape architecture and the central part of Tsarskoe Selo palace ensemble. Its consists of a total of 107 hectares The park consists of a grassed and a landscape areas, divided by the Great Pond

Cemeteries (entry)

CEMETERIES. Even before the foundation of St. Petersburg there were several necropolises on the location of the future city: the records of the beginning of the 18th century indicate a Finnish-Swedish cemetery at Elagin (Aptekarsky) Island

Decorative Monumental Sculpture (entry)

DECORATIVE MONUMENTAL SCULPTURE. The art of monumental sculpture dates back to the time of Peter the Great; its first examples appeared throughout St. Petersburg, at the Summer Garden and various suburb residences

Felten Y. M. (1730-1801), architect

FELTEN Yury Matveevich (Georg Friedrich) (1730 -1801, St. Petersburg), architect, professor of the Academy of Fine Arts (from 1775; from 1785 a Council member, in 1789-94 director), State Counsellor (1784)

Grilles (entry)

GRILLES. St. Petersburg boasts a number of unique metal grilles, created in the course of three centuries. Wrought grilles of bars with (sometimes gilded) decorative figures made from flat iron bars (the grille of the Ekaterininsky (Catherine)

Holy Transfiguration Cathedral

HOLY TRANSFIGURATION CATHEDRAL, located at 1 Preobrazhenskaya Square. An architectural monument construction by order of Empress Elizaveta Petrovna (architect M. G

Imperial Theatres

IMPERIAL THEATRES (in the 18th century court theatres, in the 19th century also called public theatres), originally intended to entertain the Imperial family, and to entertain and educate the public

Kantemir A.D. (1708-1744), poet

KANTEMIR Antiokh Dmitrievich (1709-1744), Prince, poet, translator, diplomat, privy counsellor (1741). The son of a Moldavian Hospodar (Prince) D. K. Kantemir. He received an excellent home education, studied at the Academic University (1726-27)

Konstantinovsky Palace (Strelna)

Konstantinovsky Palace in Strelna (3 Berezovaya Alley), an architectural monument of the 18th-19th centuries. The foundation was laid in the summer of 1720 by architect N. Michetti. From 1723, the construction was headed by architect M.G. Zemtsov

Lower Park (Petrodvorets)

LOWER PARK forms the main part of the Peterhof Palace and Park Ensemble, located on an area adjacent to the Gulf of Finland which is actually lower than sea level, hence its name. The total area of the park is 102

Manezhnaya Square

MANEZHNAYA SQUARE, at the intersection of Italyanskaya Street and Karavannaya Street. It was named in 1866 after the building of Mikhailovsky Manege (1798-1800, architect V.F. Brenna; 1823-24, architect C.I. Rossi )

Menagerie (an ensemble of the Alexander Park)

The oldest part of the park, founded as the Menagerie, occupied more than a half of the Alexander Park territory. The area for the Menagerie has been chosen as early as 1710
Source: Tsarskoe Selo

Millionnaya Street

MILLIONNAYA STREET [until 1738 - German settlement, until the middle of the 18th century - Bolshaya Nemetskaya Street, in the 1740-1800s - Bolshaya Millionnaya Street, in 1918-91 - Khalturina Street, after worker-revolutionary S.N

Mon Plaisir Palace (Peterhof)

MON PLAISIR (from French meaning "my pleasure"), a palace in the Lower park of Peterhof - a single-storied brick Holland House, joined with the help of glazed galleries with its side wings (1714-1723, architect I.F. Braunstein, J.B. Le Blond, N

Museum of the Academy of Arts

MUSEUM OF THE ACADEMY OF ARTS, a science and research museum (17 University Embankment), Russia's oldest art museum, founded by I. I. Shuvalov in 1757 as a collection of samples for the students of drawing and sculpture classes at the Academy of

Nevsky Prospect

NEVSKY PROSPECT known as Bolshaya Pershpektivnaya Road or Bolshaya Pershpektiva until 1738, Nevskaya Prospektivaya Street or Nevskaya Perspektiva in 1738-1780s, and 25 October Avenue in 1918-44 so named in memory of the October Revolution of 1917

Oranienbaum, palace and park ensemble

ORANIENBAUM, a palace and park ensemble (Lomonosov town) that started to form during the first quarter of the 18th century, when the country estate of A.D. Menshikov appeared on the coast of the Gulf of Finland 44 kilometres from St. Petersburg

Panteleymonovsky Bridge

PANTELEYMONOVSKY BRIDGE (in 1824-1827 known as Tsepnoy Bridge (Chain Bridge), in 1828-91 it was renamed into Panteleymonovsky Tsepnoy Bridge, in 1915-1923 called Gangutsky, in the 1920s Dekabrista Pestelya Bridge

Petergofskaya Road

PETERGOFSKAYA ROAD (Petergofskaya Pershpektiva), name of Narvskaya Road between St. Petersburg and Peterhof in the 18th century. The road ran along the southern coast of the Gulf of Finland in place of the present-day Staro-Petergofsky Avenue

Peterhof, palace and park ensemble

PETERHOF, the palace and park ensemble in Petrodvorets. Until 1917, remained a summer imperial residence on the southern coast of the Gulf of Finland. The construction of Peterhof started in 1709 at the command of Tsar Peter the Great

Rastrelli B. C. (1675-1744), sculptor

RASTRELLI, Bartolomeo Carlo de (1675-1744), sculptor, architect, carver, representative of the Baroque. Of Italian descent, studied in Florence. From 1698, worked in Rome, from 1700, in Paris. In 1716, he came to St

Razumovsky Palace

RAZUMOVSKY PALACE (48 Moika River Embankment), an architectural monument. It was constructed for Count K.G. Razumovsky (see Razumovsky Family) in 1762-66. Stylistically it merges from the Baroque to the Neoclassical (architects A.F. Kokorinov, J.B

Russian Theatre for Tragedy and Comedy

RUSSIAN THEATRE FOR TRAGEDY AND COMEDY (previously the House of Golovkin), the first Russian state stationary professional public theatre was established by order of Empress Elizaveta Petrovna on 30 August 1756

Slides

SLIDES, structures erected for public amusement. They represent one of the essential elements of holiday popular carnivals (especially Shrovetide carnivals) in the 18th -19th centuries

Smolny Architectural Ensemble

SMOLNY ARCHITECTURAL ENSEMBLE, created over the course of the 18th-20th centuries on the curve of the left bank of the Neva River, on the place of the early 18th century Smolyanoy (Russian "smola" means "resin") courtyard (hence the name)

Stegelman's House

STEGELMAN'S HOUSE (2/50 Moika River Embankment), a monument of 18th century architecture. It was built to the design of architect F.B. Rastrelli in 1750-53 (according to the other data, in 1758) for the main court supplier H.C. Stegelman

Stroganov Palace

STROGANOV PALACE (17 Nevsky Prospect), an architectural monument of the late Baroque period. Originally a two-storey house at the corner of Nevsky Prospect and Moika River Embankment (1738, architect M.G

Summer Garden

SUMMER GARDEN (Dvortsovaya Embankment), an 18th-19th century landscaping monument. It is the oldest city garden in the central part of St. Petersburg, and is situated on the left bank of Neva, on an island formed by Fontanka River

Summer Palaces (entry)

SUMMER PALACES, St. Petersburg summer imperial residences for the first half of the 18th century. 1) The Summer Palace of Emperor Peter I, an architectural monument of Peter's Baroque, was constructed from 1710-14 (architects D. Trezzini, A

The Arsenal (Monbijou) (an ensemble of the Alexander Park).

The pavilion Arsenal (Monbijou) is located in the Alexander Park of the town of Pushkin. During 1747-1750 in the center of the Menagerie architects S.I. Chevakinsky and F.-B
Source: Tsarskoe Selo

The Big Hothouse with Garden.

The building was constructed in the 1750s to the design of F.-B. Rastrelli in the Baroque style. Constructing was directed by the architect S.I. Chevakinsky. In 1820-1828 V.P. Stasov rebuilt the building in the Classicism style
Source: Tsarskoe Selo

The Concert Hall on the Island of the Great Pond, a pavilion (an ensemble of the Catherine Park)

The first in Tsarskoye Selo a park entertaining pavilion Lusthaus, in the form of a octagonal balk wooden gallery, was built by the architect I.K. Ferster in 1723 just here, on an artificial island of the Great Pond
Source: Tsarskoe Selo

The Grotto Pavilion.

The Grotto pavilion with the pier , highlighting on the dark green background of the Old Garden and with its mirror reflection in the Great Pond water, pertains to classical views of the Catherine Park
Source: Tsarskoe Selo

The Hermitage pavilion (an ensemble of the Catherine Park)

The Hermitage pavilion, hidden in green foliage of the grove, with the Hermitage Canal, encircled it, was built in 1744-1746 to the design of the architect M.G. Zemtsov, it was not completed. The pavilion decoration was completed by F.-B
Source: Tsarskoe Selo

The Lower Stables.

The Lower stables with a fodder yard, fences and a wing with dwelling flats for stablemen were built in 1756-1762 to the design of F.-B. Rastrelli and under the direction of S.I. Chevakinsky
Source: Tsarskoe Selo

The Palace Church of the Resurrection

In the Tsarskoye Selo Palace of Tsarina Catherine Alexeyevna at first there was an camp private chapel of St. Catherine the Great Martyr. The main sight of this church was a carved iconostasis of dark blue colour
Source: Tsarskoe Selo

The Toboggan Hill with a pavilion (an ensemble of the Catherine Park)

The Toboggan Hill with two slopes (they were not survived) was erected in 1754-1756 to the design of F.-B. Rastrelli. The third wooden slope was added by V.I. Neyelov in 1765
Source: Tsarskoe Selo

Tsarskoe Selo, palace and park ensemble

TSARSKOE SELO (Pushkin town), a monument of town-planning and a palace and park ensemble dating from the 18th to the beginning of the 20th century. The core of the ensemble is the estate of Empress Catherine I Sarskaya Myza (founded in 1710)

V.I. Neelov, I.V. Neelov, P.V. Neelov, architects

NEELOV family, a family of architects, representatives of early Neoclassicism and Romanticism. Vasily Ivanovich (1722-82), apprentice of S.I. Chevakinsky and M.G. Zemtsov; from 1744, worked with them and F.B

Vorontsov Palace

VORONTSOV'S PALACE (26 Sadovaya Street), monument of Baroque architecture. Built in 1749-57 (architect F. Rastrelli) for Count M.I. Vorontsov (see Vorontsov Family)

Winter Palace

WINTER PALACE, the Great Winter Palace (38 Dvortsovaya (Palace) Embankment), a Baroque architectural monument (1754-1762, architect F.B. Rastrelli). Up until 1917, it remained the main Imperial residence in St

Winter Palaces

WINTER PALACES. The first Winter Palace, "a small house of Dutch design ", was constructed in March of 1708 for Tsar Peter the Great on the left bank of the Neva River in a row of the houses for Admiralty department officials





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