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Authors /
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Andreev V.V., (1861-1918) musician

ANDREEV Vasily Vasilievich (1861-1918, Petrograd), musician, pedagogue, virtuoso balalaika-player, inventor of the instrument's concert version, creator of various "national instrument" ensembles and orchestras whose repertoire, arrangement

Araya F., (1709 - after 1775), composer

ARAYA Francesco (1709 - after 1775), Italian composer, first foreign Court Kapellmeister, composer of the first opera staged in St. Petersburg (The Might of Love and Hatred, 1736), and the first opera in Russian (Tsefal and Prokris, libretto by A.P

Asafyev B. V. , (1884-1949) music theorist and composer

ASAFYEV Boris Vladimirovich (penname Igor Glebov) (1884, St. Petersburg - 1949), music theorist, composer, People"s Artist of the USSR (1946), member of the Academy of Sciences of the USSR (1946)

Auer L. (1845-1930), violinist

AUER Leopold (1845-1930), violinist, pedagogue, conductor, student of J. Joachim. Came from Austria-Hungary. Lived in St. Petersburg in 1868-1917. During a tour to London, became acquainted with A. G

Balakirev M.A., (1836-1910) , composer

BALAKIREV Mily Alexeevich (1836-1910, St. Petersburg), composer, pianist, conductor, music and public figure. Studied at the Mathematics Department of Kazan University. Lived in St

Battistini М.(1856-1928), singer

BATTISTINI Mattia (1856-1928), Italian singer, baritone. With a soft expressive voice and a well-developed upper register, he was a darling of the audience. His career began in 1878 in Rome. Battistini's repertoire included roles in operas by G

Belyaev M.P., (1836-1903), public figure

BELYAEV Mitrofan Petrovich (1836, St. Petersburg - 1903, St. Petersburg) was a timber merchant, patron of arts, public figure and publisher of music scores, amateur musician

Borodin A.P., (1833-1887), composer

BORODIN Alexander Porfirievich (1833, St. Petersburg - 1887, ibidem), chemist, composer. A graduate of the Academy of Surgical Medical Sciences (1856), in 1858 he earned a doctorate in medicine and in 1864 was conferred the title of professor

Bortnyansky D.S., (1751-1825), composer

BORTNYANSKY Dmitry Stepanovich (1751-1825, St. Petersburg), chorister, composer, Kapellmeister, director of the Court Capella (from 1801), Actual Civil Counsellor (1806). In 1758, he was brought from Malorossiya (Eastern Ukraine) to St

Cavos C.А., (1775-1840), composer

CAVOS Catarino Albertovich (1775-1840, St. Petersburg), composer, bandmaster, and teacher. He studied under F. Bianchi in Incurabile Conservatory, Venice. Living in St. Petersburg from 1798, he served in the Board of Imperial Theatres

Composers, The Union of

COMPOSERS, The Union of, St. Petersburg Department, a professional and creative association. It was established in 1932. By 1940, established composers such as B. V. Asafyev, V. M. Bogdanov-Berezovsky, A. P. Gladkovsky, V. M. Deshevov, A. F

Concert Halls (entry)

CONCERT HALLS appeared in St. Petersburg in the late 18th century. Earlier, musicians arranged paid concerts in palaces of grandees, theatres, and taverns. The first documented series of public concerts refers to the concerts given by G

Dargomyzhsky А.S., (1813-1869), composer

DARGOMYZHSKY Alexander Sergeevich (1813-1869, St. Petersburg), composer. Lived in St. Petersburg from 1817. Educated at home, similarly receiving a musical education. He learned to play the piano under composer and pianist F

Davydov K.Y., (1838-1889), musician

DAVYDOV Karl Yulievich (1838-1889), violoncellist, pedagogue, conductor, composer. Graduated from Moscow University with the rank of Candidate of Mathematical Sciences (1858). Learned to play the violoncello under K.Y. Schubert and others

Dunaevsky I.O., (1900-1955), composer

DUNAEVSKY Isaak Osipovich (1900-1955), composer, pianist, director of music and theatrical groups, people's artist of the Russian Soviet Federative Socialist Republic (1950). Graduated from Kharkov Conservatory, he lived in Leningrad in 1929-41

Eliasberg K.I., (1907-1978), conductor

ELIASBERG Karl Ilyich (1907-1978, Leningrad), conductor, Honoured Worker of Art of the Russian Soviet Federative Socialist Republic (1944). In 1929 he graduated from Leningrad Conservatory where he majored in violin performance

Evenings of Contemporary Music, musical society

EVENINGS OF CONTEMPORARY MUSIC, musical society, existed between 1901 and 1912, aimed to perform and popularise European and Russian chamber music from the turn of the 19th and 20th centuries

Factory of Eccentricity

FACTORY OF ECCENTRICITY (FEKS), the creative association, existed in Petrograd (Leningrad) in 1922-26. The aesthetic programme of the Factory of Eccentricity stood close to the ideas of the Leftist Arts Front and V. E. Meyerhold’s and V. V

Field J. (1782 - 1837), composer, pianist

FIELD John (1782-1837), Irish pianist, composer, teacher. Studied in London under M. Clementi from 1792 to 1802. Started giving concerts throughout Europe as early as 1794. In 1802, together with Clementi, he came to St

Findeizen N.F., (1868-1928), musician

FINDEIZEN Nikolay Fedorovich (1868, St. Petersburg - 1928), music critic, historian of the Russian music, music figure. Graduated from the Commercial School, took music lessons in composition from N.A. Sokolov (1890-92)

Fomin E.I., (1761-1800), composer

FOMIN Evstigney Ipatovich (1761 - 1800, St. Petersburg), composer. Enlisted at the age of 6 for classes at the Academy of Arts, from which he graduated in 1782

Free Music School

FREE MUSIC SCHOOL was organised by M. A. Balakirev and G. Y. Lomakin to teach singing and organise concerts. It taught choral classes to adults, singing mainly church music

Gavrilin V.A. (1939-1999), composer

GAVRILIN Valery Alexandrovich (1939-1999, St. Petersburg), composer, People's Artist of the Russian Soviet Federative Socialist Republic (1985). In 1964, he graduated from the Conservatory majoring in composition and folklore

Glazunov A.K., (1865-1936), composer

GLAZUNOV Alexander Konstantinovich (1865 - 1936, St. Petersburg), composer, conductor, pedagogue, public figure, People's Artist of the Republic (1922). Comes from the Glazunov family. From 1879, he studied composition and music theory under N.A

Glier R.M., (1874-1956), composer

GLIER Reingold Moritsevich (1874-1956), composer, conductor, pedagogue, People's Artist of the USSR (1938), Doctor of Arts (1941). Graduated from the Moscow Conservatory in 1900

Glinka Capella

THE GLINKA CAPELLA (Leningrad Academic Glinka Capella), 20 Moika River Embankment, the oldest professional choir. It takes its origin in the Choir of Sovereign’s Chorister Scribes established in Moscow in 1479 for singing at church services and

Glinka M.I., (1804-1857), composer

GLINKA Mikhail Ivanovich (1804-1857), composer. Lived in St. Petersburg from 1817; in 1818-22, studied at the Noble Boarding School of the Main Pedagogical Institute (164 Fontanka River Embankment). Glinka's tutor was W.K. Kuchelbecker

Imperial Theatres

IMPERIAL THEATRES (in the 18th century court theatres, in the 19th century also called public theatres), originally intended to entertain the Imperial family, and to entertain and educate the public

Institute of Art History

INSTITUTE OF ART HISTORY of the Russian Academy of Sciences and the Ministry of Culture of the Russian Federation, situated at 5 St. Isaac's Square, a research institution

Italian Opera

ITALIAN OPERA existed in St. Petersburg in 1733-1914 (intermittently) in two guises: as Italian musical theatre with performances in Italian and as proper Italian operas performed by Russian companies in Russian (from 1781 up to the present moment)

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